Terrifying Voices | Film screenings and discussion

A significant aspect of the current cultural fantasies surrounding Sayed Darwish can be traced back to his musical contributions during the 1919 revolution and its aftermath. It was during this time that the fundamental Egyptian national novel emerged, reflecting Egypt’s stance towards the world and modernity at that time, encompassing its artistic, political, and social dimensions. Building upon this moment, the films in this presentation attempt to explore these contributions, aspirations, and their various implications. Starting with the powerful images of Mohammed Bayoumi in Alexandria during Saad Zaghloul’s return from exile, which was considered the most prominent symbol of the revolution, and coincided with the day of Sayed Darwish’s death, we collectively imagine the encounter and its subsequent consequences.

Films:

– “The Egyptian Nation’s Welcome to Saad Pasha Zaghloul” by Mohammed Bayoumi, 7 minutes
– “The Art of Resistance Against Occupation” by Nour El Bastawisy, 15 minutes

– “Terrifying Voices” by Philippe Rizk, 16 minutes

Mohamed Amin, a researcher and film programmer based in Alexandria, is interested in exploring and writing about cinema, ethnic music, and contemporary cultural practices.